About Writing

April 29, 2009

My colleague Geoff Schumacher recently presented a workshop on journalism for the Las Vegas Writers Conference. Included in his handouts was this essay about writing. I thought it deserved to be shared with other writers and lovers of writing, so I sought his permission to post it here.

“I write because I can’t do normal work like other people.”

Orhan Pamuk, winner of 2006 Nobel Prize for Literature

“Words on a page give the world coherence.”

Alberto Manguel, Into the Looking-Glass Wood: Essays on Books, Reading, and the World

typing

Photo courtesy Scriatic (CC)

Writers write. If you’re a writer, you can’t help yourself. Putting words on paper, or onto a computer screen, is part of who you are. Writing helps us understand and give order to our chaotic lives and to a turbulent world.

Most writers want others to read their work. We want attention, validation, reassurance, fame. We want to be praised, questioned, challenged. We can’t help but write, but we like it better when our words are disseminated widely.

Despite our economic troubles, there never has been a better time to be a writer, because there never have been so many avenues to publication. Consider: You can set up a Facebook or Twitter page in about two minutes and start publishing your words to your friends and colleagues. Or you can set up a blog in about five minutes and start publishing for all the world to see.

These may seem like mundane forms of publishing, but I disagree. I have 255 friends on Facebook. If I write an essay and post it on my Facebook page, it is immediately available for perusal by 255 people who, because they know me, are likely to take a look at it. How would you have accomplished such an endeavor 30 years ago? If you wrote an essay and wanted to share it with your friends and colleagues, you would have had to make photocopies and either hand them out or put them in the mail to reach those 255 people. That’s a lot of copies, a lot of envelopes, a lot of addresses to track down and a lot of stamps. This process also would take a lot more time – days, maybe weeks.

Of course, we also would like to be compensated for our writing. We want our writing to be a money-making venture, not just an obsession or hobby. This complicates matters, but it’s not an unreasonable request. In order to be paid for writing, though, we must write something that a publication is willing to buy. This often means writing that is substantially different in style and substance from what we might post on Facebook or in a personal blog.

More often than not, what we’re talking about is journalism: facts, figures, interviews, research. We must be thorough, accurate. We must explore multiple perspectives. We must delve into subjects we might not otherwise care about. And then, once we’ve gathered the materials we need, we must organize all those facts, figures, quotes and multiple perspectives into a coherent and entertaining piece of writing.

It looks easy. It’s not.

But it’s also not brain surgery. Journalism is a craft that requires a set of skills that can be developed by most people who know how to read and to write a clear sentence.

The most important trait of a good journalist is curiosity. Successful journalists are innately curious about how things work. They follow a road to see where it leads. They ask lots of questions and genuinely want to know the answers. They aren’t afraid of talking to strangers. They aren’t satisfied with the conventional wisdom.

Successful journalists also are persistent. When they ask questions, they expect answers. They aren’t deterred by roadblocks. They know there is more than one way to get the information they seek.

Sometimes, journalism isn’t such a serious business. But writing a restaurant review or reporting on a ball game still demands the same skills needed to uncover the Watergate scandal.

4-27-09

Geoff Schumacher, a veteran journalist, is the director of community publications for Stephens Media. He is also the publisher of CityLife and Big Island Weekly. He has written two books, Sun, Sin & Suburbia: An Essential History of Modern Las Vegas and Howard Hughes: Power, Paranoia & Palace Intrigue (Stephens Press) and is working on two more. Schumacher was recently named editor of CityLife Books, a Stephens Press imprint. He writes a weekly column for the Las Vegas Review-Journal. For more information, see www.geoffschumacher.com.


The Big Oops!

April 23, 2009

oh-no1 “Oh, no!” You know that sick feeling you get in the pit of your gut when the realization hits. You’ve just clicked “send” and you notice a glaring error. There’s no “unsend” button. No do-over. Jiminy Cricket, what to do?

This just happened to an author and myself — and it was me to blame. We’d extracted some text from her book for some magazine articles and the headline of one article says “Perfect” when it should read “Perfection”. Cripes! Should we correct and resend, thus calling attention to our goof? Or let it go, bringing up the correction during the editing/revising process?

I’ve opted for the latter in this instance.

But it begs the question, what should an author do if they notice an error after they’ve sent in a submission? My advice:

1. If the work is a submission for consideration, and the error is relatively minor, note it and let it go. Publishers and editors know that manuscripts and article copy aren’t perfect upon arrival and the errant word or punctuation goof won’t faze us, so long as the entire file isn’t rife with sloppy errors. If, on the other hand, the error is major and impacts meaning, such as a title that reads wrong because of a missing word, you’d better swallow your pride and resend with a brief note of explanation.

2. If the work is already in editing , ask your editor if they’d like to be informed as you spot a correction, or would they prefer you wait and provide them all at the same time. Some authors have driven us nuts, calling and emailing every time they notice a colon should be a semi-colon. We don’t want correx (insider shorthand) as onesie-twosies! All at once, please.

3. For a book in layout , finding a misspelling or a word here or there that needs fixing should be noted and held for proofing stage. But if the needed correx affects several lines or a whole paragraph, speak up right away. A revision like that could shift lines from one page to the next, causing a layout headache and a testy book designer.

4. If the work has reached proofreading , authors better sit up and pay attention. This is the LAST CHANCE to make sure the work is as perfect as possible. Yes, your editor will be proofing as well, and often a number of others at the publishers. The more eyes, the better, but in the end, the author should care the most and work the hardest to insure an error-free book.

You know what the baby bibs say: Stuff Happens . Take it in stride and make sure it gets fixed at the right stage of the process.


Celebrate the Craft of Writing

April 15, 2009

Dear Friends,

The Las Vegas Writers Conference kicks off Thursday evening with a reception hosted by Stephens Press starting at 7 PM at Sam’s Town in the Ponderosa Room. While there are still a few registration slots left for the conference itself, you don’t have to be attending the conference to come to our reception. I invite you to come by for a meet and mingle with Stephens Press and other local authors, as well as editors, literary agents and publishers. This is a great opportunity to network within the book publishing world. Laraine Russo Harper, SP author of Legal Tender: True Tales of a Brothel Madam, will give a short and funny accounting of her experiences with the publication of her book in the past year. No host bar, LVWC bookstore, good company, good fun. Hope to see you there — no RSVPs required!