The Eighteen Questions

June 7, 2010

by Krissy Hawkins
Author Maralys Wills recently chatted with Gregory Kompes, the man responsible for “The Fabulist Flash, A Newsletter for Writers”, to partake in some Q&A. Read some of the author’s revelations below – from discovering one’s writing style to self-marketing tips and of course, the most important lesson for writers – perseverance.

When did you ‘know’ you were a writer?
Long before I sold my first article, (about our sons’ adventures in hang gliding), I saw myself as a writer. As I collected 129 rejection slips for poems, essays, stories, and first-hand accounts, I wondered how many rejection slips it would take to sell something. In my mind it was always “when,” never “if.” Still, writing for money altered my title. Now I was an author. Before, I’d been a mother with a typewriter.

How would you describe your style of writing?
Straightforward. Vivid. Full of scenes and vignettes. Often humorous. A story-teller’s quest for the unusual, the humorous, the dramatic, the ironic. But securely anchored in the real world.

What is your writing process?
Except for publicity chores (which are all too time-consuming), I write whenever I can find the time. Sometimes I push things away to “make” time. When I’m deeply involved in a project, I let ordinary “living” go by the board. Laundry, shopping, cooking—they all wait. I have no schedule. Every stolen hour in front of the computer becomes my “schedule.”

What was your path to publication?
No special path. At first I simply sent things out (129 things), until United Airlines Mainliner magazine “bit.” From then on, every published book was achieved a different way. I was agented for my first nine books, yet for five of them the sale would not have occurred except for something I did myself. Even with an agent, you have to be part of the process.

What is your favorite self-marketing idea?
Speeches. There is no second choice. I have searched high and low for something that works as well as giving speeches, but have yet to find it.

8. What are the biggest surprises you’ve encountered as a writer?
Read the whole interview here.


April Presents Adventures in Reading

March 30, 2010

Reading Las Vegas to offer few frills but many thrills

By MAGGIE LILLIS
VIEW STAFF WRITER

Author Carolyn Schneider will be sharing memories of her Uncle Bing on April 28th.

 

 The month of April will make you laugh all the way to the library, if Reading Las Vegas: A Sure Bet organizers get their way.

The ninth annual adult reading incentive program will include authors known to spin a phrase while tickling the funny bone, program co-chairwoman Leah Ciminelli said.

The monthlong program also will include writing workshops, a murder mystery event and a book festival. Absent from this year’s festivities will be prizes, giveaways and the popular Reading Las Vegas tote bag due to budget cuts within the Las Vegas-Clark County Library District.

Jennifer Schember, adult services coordinator, said this year’s theme, For the Love of Reading, emphasizes getting back to the basics of reading, without the frills of prizes and other incentives.

Read entire article


Double Down Makes Esquire

October 12, 2009

logo_bestbarsP Moss, proprietor of the insane and insanely popular  Double Down Saloons (Las Vegas and New York City) is one of our newest authors. We’ll be publishing Blue Vegas, his darkly Vegasesque story collection  in early 2010. The Double Down was just named was of the best bars in America by Esquire. A Sin City fixture himself, Moss undoubtedly has enjoyed a colorful cast of characters at the Double Down to serve as fodder for the fictional characters he creates. A CityLife Books title, Blue Vegas will debut in February. Read Scott Dickensheets review here. Congrats, Moss!


This time next year: Steinbeck Country

September 29, 2009

cwclogoOur book designer, Sue Campbell, and yours truly have both been invited to be on faculty for the bi-annual East of Eden Writers Conference for 2010. Held in Steinbeck Country of Salinas, California, this is one of the premier conferences in the country, attracts hundreds of writers and a really top-notch faculty. The conference is sponsored by the South Bay chapter of the 100-year-old California Writers Club.  So honored!!

As attendees of my workshops and programs know, I heartily endorse writers conferences as one of the best ways for authors to learn the ropes about the publishing biz, meet fellow writers, learn tons about the craft of writing, and make important connections. How often do you get the chance to sit next to a literary agent at lunch? Conferences are held all over the world (I’m still waiting for an faculty invite to a conference in say, New Zealand or Iceland) and www.shawguides.com is a great resource for checking them out. Closer to home, the Las Vegas Writers Conference is held every April, and features a fine line-up of presenters.


A Writer’s Weekend

August 13, 2009

spacerinternalpage_1Back by popular demand, we’re reprising our Nuts & Bolts Workshop for Authors.

Saturday, from 1:00 – 5:30 PM, we’ll cover publishing basics from submissions to industry trends, followed by manuscript polishing and what to expect from the editing process.

Sunday, from 1:00 – 5:30 PM, we’ll present a new workshop, specifically for memoir writers.

Presenters include Author and Writing Teacher Maralys Wills, Book Editor Jami Carpenter and Publisher Carolyn Hayes Uber. This is the perfect opportunity to get the lay of the land and ask questions. Location: Clark County Library on East Flamingo in the Main Theater.


The Big Oops!

April 23, 2009

oh-no1 “Oh, no!” You know that sick feeling you get in the pit of your gut when the realization hits. You’ve just clicked “send” and you notice a glaring error. There’s no “unsend” button. No do-over. Jiminy Cricket, what to do?

This just happened to an author and myself — and it was me to blame. We’d extracted some text from her book for some magazine articles and the headline of one article says “Perfect” when it should read “Perfection”. Cripes! Should we correct and resend, thus calling attention to our goof? Or let it go, bringing up the correction during the editing/revising process?

I’ve opted for the latter in this instance.

But it begs the question, what should an author do if they notice an error after they’ve sent in a submission? My advice:

1. If the work is a submission for consideration, and the error is relatively minor, note it and let it go. Publishers and editors know that manuscripts and article copy aren’t perfect upon arrival and the errant word or punctuation goof won’t faze us, so long as the entire file isn’t rife with sloppy errors. If, on the other hand, the error is major and impacts meaning, such as a title that reads wrong because of a missing word, you’d better swallow your pride and resend with a brief note of explanation.

2. If the work is already in editing , ask your editor if they’d like to be informed as you spot a correction, or would they prefer you wait and provide them all at the same time. Some authors have driven us nuts, calling and emailing every time they notice a colon should be a semi-colon. We don’t want correx (insider shorthand) as onesie-twosies! All at once, please.

3. For a book in layout , finding a misspelling or a word here or there that needs fixing should be noted and held for proofing stage. But if the needed correx affects several lines or a whole paragraph, speak up right away. A revision like that could shift lines from one page to the next, causing a layout headache and a testy book designer.

4. If the work has reached proofreading , authors better sit up and pay attention. This is the LAST CHANCE to make sure the work is as perfect as possible. Yes, your editor will be proofing as well, and often a number of others at the publishers. The more eyes, the better, but in the end, the author should care the most and work the hardest to insure an error-free book.

You know what the baby bibs say: Stuff Happens . Take it in stride and make sure it gets fixed at the right stage of the process.


Meet the Author: Betty Auchard

March 3, 2009

By Guest Blogger/Interviewer Sue Campbell
(www.SueCampbellGraphicDesign.com)

bettya1Today I’m interviewing author Betty Auchard. Betty’s first book, Dancing in My Nightgown, the Rhythms of Widowhood is her memoir of losing her husband of 49 years, getting through the grief, and learning to live again—in a whole new way. Far from being a morose downer, Betty’s stories are touching, inspiring, upbeat, and even funny. Betty had a lot to learn having married at 19, and never having lived as a single person before. Betty’s quirky, loving, and funny personality makes her one of my favorite authors to know and to work with. In this interview she shares her thoughts on the writing process:

1. Tell us a little bit about yourself and how you got started writing. Did you always have a secret desire to be an author?

My secret desires were to be invisible, to fly, and to play the piano. My unconcealed desires were to be a movie star and an artist. I became an artist, so I still have time to become a movie star. But all my life I loved writing letters and telling true stories because I saw, and still do see stories in everything. And I’ve always jotted things down that I didn’t want to forgetsort of like a grocery list for my life.

Becoming a widow at 68 when I had never been single before meant I had more to write about than ever. I wrote about everything that was happening to me because life felt like the twilight zone. It was unreal. I had no way of knowing then that writing was my tool dancing_150for healing.

Grief recovery was the hardest work I’d ever done in my life and grievers must be allowed to babble about the same old things over and over. It’s the only way we can accept that our loss is real. Writing was like talking to paper. If I felt good I wrote about it. If I felt bad I wrote about it. One day I saw that Postum (Denny’s favorite beverage) was on sale and I almost put a jar in my cart. I was so blindsided by that unconscious act that I had to abandon my grocery cart and run outside to cry. Naturally, I wrote about it. I knew that someday I would look back on my experiences and realize how far I had come.

Writing was more important to me than eating. Naturally I lost weight, but gradually, I regained consciousness and the act of writing took on a life of its own. I became aware that my journaling on junk was starting to use a lot more paper and my writings were becoming pretty good stories that I liked a lot. One thing led to another and I started taking writing classes. This all happened over about six months. By six months I was in love with telling about life from my point of view which sometimes made me cry, but it felt good; like vomiting from my eyes. Sometimes my quirky point of view made me laugh at myself. As hard as I tried not to come off as a widow I always revealed that I was one. It made me feel vulnerable. I may as well have worn a talking T shirt that shouted, “This Lady Lives Alone.” But, to be honest, I liked my stories so much that I practically forced strangers to read them. I knew then that Betty, the Writing Beast had been born.

2. Tell us about your writing habits. When you write do you need music? Or quiet? Is there a special place, time or ritual you use to get in the groove? And has this changed over time? For example from the time you wrote the first draft of the first book until now as you work on the second?

Eleven years ago when I wrote all day long in my nightgown, I didn’t know how to use the computer so I did a lot of writing in bed where the light from the window was perfect. If not there, then I wrote in my lounge chair where the good lamp was located. I wrote on a lined tablet on a clipboard, and used only a fine tip Pilot Precise pen. My thoughts landed on paper as easily as I talk.

Once I learned how to use the computer I relocated upstairs to what used to be my art studio and is now my computer room. I first TELL myself the story out loud a few times and then I start typing without stopping, typos and all. It’s still a lot like free writing but it’s on the screen and I feel as though I’m still talking.  I write best in the mornings when my brain is awake and lively. But I still write at night or any old time I’m in the mood or when I know I won’t be interrupted.  Sometimes that’s into the morning hours. I let other things go unattended, which is slothful but true.

My best writing time was two months ago when I treated myself to a hotel room. I checked into a Holiday Inn Express, 25 miles away so I wouldn’t be tempted to dash home for any reason. I told my children not to call or e-mail unless it was really important and a request for a recipe was not important. It was wonderful. I stayed one week, went home for one week, and returned for one more week. I ate sparingly and used the small fridge and microwave in my room for simple food.  I managed to get ahead on my second manuscript. The cost? About $2,000, but I told myself that I deserved it.

When I think a story is finished, it’s imperative that I read it aloud. Only then do I hear what is clunky or awkward. The sound of the words and the cadence of a sentence are critical. A radio is distracting and never on when I write, which means that it is never on. I watch TV only when I eat something or to watch Dexter or The United States of Tara. The truth is that I sit way too long at my computer because I’m in love with it. And where the day goes I’ll never know. Time just races by when I’m in the writing zone.

Read the rest of this entry »


Upcoming Events for Writers

February 13, 2009

once-upon-a-timeWriting can be a lonely vocation. Writers’ conferences and workshops can be invigorating, inspiring and an investment in your career as an author. There’s a multitude opportunities for writers to engage with other authors, meet agents, learn the ropes and network. I’ll be using this space, periodically, to alert you to recommended writer’s events.

Bruce McAllister Workshops
Writing coach Bruce McAllister is a master at helping authors find their voice, polish their work, and navigate the path to publication. His workshops, held in Southern California, are highly regarded.

Saturday, March 14, 2009
GETTING YOUR NOVEL WRITTEN AND PUBLISHED IN 2009
A Workshop in Choosing the Novel That’s Right for You, Getting It Written, and Using the Guerilla Tactics the New Book-Publishing Marketplace Demands
Saturday, May 2, 2009
MEMOIR, BIOGRAPHY, SELF-HELP, TRAVEL, NATURE, BUSINESS AND EVERY OTHER KIND: WRITING AND PUBLISHING YOUR NON-FICTION BOOK IN 2009

A Workshop for Writers of Non-Fiction Books of All Kinds
More info  >>>Bruce McAllister

Nuts & Bolts Author’s Workshop
Join me and my colleagues, author Maralys Wills and editor Jami Carpenter for a practical workshop full of tips, tricks and “lay of the land” advice on writing, editing and getting published. Best, it’s free! Download a workshop flyer here.

April 4th, 11 AM to 3 PM
Clark County Library
1401 East Flamingo Road, Las Vegas

Publishing Basics – How It All Works
11:00 AM – 12:00 PM
Las Vegas publisher Carolyn Hayes Uber will explain the basics of the publishing industry from the big New York publishing houses to smaller independent presses to the scary world of self-publishing. Find out how to evaluate your options, whether you need an agent, and what to expect during the publishing process. More info >>>Carolyn Uber

Polish Up That Manuscript!
12:45 PM – 1:45 PM
Veteran author Maralys Wills incorporates both solid tips and a fresh sense of humor in her advice to writers. Sparkling manuscripts are the result of self-editing and careful polishing. She will share tricks of the trade to elevate your manuscript from good to publishable. More info >>>DamnTheRejections

The Mechanics of Editing
2:00 – 3:00 PM
Professional editor Jami Carpenter explains why every author needs an editor. How do you find the right editor, what are the different types of editing? Should your manuscript be edited before submission to agents and publishers? Learn how to ensure a happy and productive author/editor relationship and more. More info >>>RedPenGirl

Las Vegas Writers Conference
April 16-18
Sam’s Town, Las Vegas
Join writing professionals, agents, industry experts and your colleagues for three days in Las Vegas, Nevada, as they share their knowledge on all aspects of the writer’s craft. This popular conference offers great opportunities to meet (and pitch) agents and publishers as well as hone your craft with an outstanding faculty.
More info >>>Las Vegas Writers Conference


What’s in a Title?

February 4, 2009

By Krissy Hawkins, Stephens Press

When it comes to the world of Amazon—the more the better.

The wonderful children’s author R.L. Stine once said that he had to have a great title for a book before he could write it, or sometimes would write a book simply because he had a great title.

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A title often becomes a hub around which your book flourishes, then, once published it provides a sort of magnetism to draw people in.

In the world of Amazon, it’s a smart subtitle for your non-fiction work benefits you immensely. Notice I did not say a ‘good’ or ‘catchy’ subtitle, but rather a smart one.

If the job of your title is to focus your book and attract readers, the job of the subtitle is to make your book ‘findable’. Given Amazon’s search capabilities it is best to include keywords in your subtitle to optimize its chances in search results.

For example, take Aaron Shepard’s book The Business of Writing for Children: An Award-Winning Author’s Tips on Writing Children’s Books and Publishing Them, or How to Write, Publish, and Promote a Book for Kids. Quite a handful, I know, but can you think of a popular search term under the umbrella of writing for children that is not included in that title? Exactly.

And that is why Mr. Shepard’s book will come up among the top results almost every time anyone searches for books on that topic. Such a subtitle may not be much of a paradigm of efficient writing skills, but a thorough subtitle is a good tactic when it comes to visibility on sites such as Amazon, the world’s biggest book retailer.

Your publisher will have the final say on your book’s moniker, but a well-thought out title on the top of your manuscript will earn you props from the acquisitions editor from the get-go. If you need assistance when it comes to selecting keywords check out www.wordtracker.com or www.google.com/insights/search.


The Serious Case of the Serial Comma

January 29, 2009

comma1Occasionally, the journalist’s world in which I reside collides with the publisher’s world where I work. Print journalists follow the Associated Press style guides like a sixth sense. Book publishers, on the other hand, refer to the Chicago Manual of Style as “the Bible” and we defer to Chicago for the “right” answer to every sticky grammar or punctuation question. The serial comma has been a thorn in my side from Day One and I’ve recently made an executive decision!

The serial comma, for all of us who didn’t know it had a formal name, is the final comma used in a series of items before the conjunction (usually an “and”).  It is also known as the series, Oxford, or Harvard comma.

Chicago “strongly recommends this widely practiced usage . . . since it prevents ambiguity.” Meanwhile, AP says don’t use it. Other newspaper style guides such as the New York Times and The Guardian concur with AP, while lining up with Chicago are the Elements of Style and the Oxford University Press.

With all these comma experts disagreeing, what’s a book publisher who frequently publishes the work of newspaper journalists to do? Why, adopt the serial comma as our Stephens Press house style, of course.

If anyone ever wondered about the role of the editor, this is yet one more example of the myriad of details that must be checked and rechecked during the editing and proofreading stages of every book.

I am not a user of the serial comma, myself, so it will take some extra effort to retrain this over-stuffed brain, but I’m working on it!

Here are some examples from Chicago of the erstwhile serial comma:

She took a photograph of her parents, the president, and the vice president.
The owner, the agent, and the tenant were having an argument.
I want no ifs, ands, or buts.
Paul put the kettle on, Don fetched the teapot, and I made tea.
The meal consisted of soup, salad, and macaroni and cheese.
John was working, Jean was resting, and Alan was running errands and furnishing food.

If the last element consists of a pair joined by and, the pair should still be preceded by a serial comma and the first and (see the last two examples).