Manuscripts Run Amok!

April 2, 2013

While the adage “April showers bring May flowers” may apply in many areas, it will be raining manuscripts in Las Vegas!

For the ninth consecutive year, the Las Vegas Writers Conference brings together fledgling writers, veteran authors, literary agents, editors, and publishers for a wonderful weekend of words …

And Las Vegas – surprisingly – is the perfect backdrop. Lots of energy, lots of excitement, a veritable plethora of characters! The 24-hour town provides writing “prompts” not found anywhere else.

If you’ve ever contemplated writing – or been curious about the writing community, here’s your opportunity to check it out. Even if you can’t spend the whole weekend running amok, please join us at the Stephens Press sponsored author “meet and greet” from 7-9 p.m. Thursday, April 18th. Who knows? You may end up staying all weekend!


One-Liners

February 23, 2013

The following is reposted from the Redpengirl’s blog of February 23, 2013:

~

Good writing doesn’t always have to be serious!

paraprosdokian is a figure of speech in which the latter part of a phrase or sentence surprises the reader (or listener) to rethink the beginning of the phrase/sentence. It can be used for humorous or dramatic effect.  Stand-up comedians call ‘em punchlines, political pundits know them as zingers, mystery writers might use them for a “twist.”

Regardless, they keep our readers (or listeners) on their toes. A  few examples …

  • Change is inevitable, except from a vending machine.
  • Nostalgia isn’t what it used to be.
  • There’s a fine line between cuddling and holding someone down so they can’t get away.
  • Always borrow money from a pessimist. He won’t expect it back.
  • The voices in my head may not be real, but they have some good ideas!
  • Why do Americans choose from just two people to run for president and 50 for Miss America?
  • I didn’t say it was your fault, I said I was blaming you.
  • The last thing I want to do is hurt you. But it’s still on the list.
  • If I agreed with you, we’d both be wrong.

Got any of your own?

Jami Carpenter is an editor who works with independent writers as well as traditional and boutique publishers, including Stephens Press, Hardway Press, and Trapdoor Books. She is the co-author of Education in the Neon Shadow and hosted the Vegas PBS talk show, Book Club. Jami can be reached through her website: http://www.redpengirl.com/ and followed on her blog: http://redpengirl.wordpress.com/


With Six You Get Eggroll

February 2, 2013

Reprinted from the Redpengirl’s February 3, 2013 Blog:

Writers often ask how long their novel should be … if there is a magic number of words or pages -

Unfortunately, there is no set “rule”; a classic work of literature can run an astounding 1424 pages (War and Peace)  or can be told in 96 pages (The Old Man and the Sea). So it’s not the page – or word – count that counts. 

What really matters is that the words chosen tell the story the writer wants to tell. I ran across an exercise a while ago that helps us strip away all the excess verbiage and get to the heart of our stories. The goal is to tell a story in six words – no more, no less.

A great example is:“For Sale. Baby shoes. Never worn.” (Often attributed to Hemingway, this most likely originated from a  a 1921 newspaper column in which Roy K. Moulton reprinted a note from “Jerry” about  an ad in the BrooklynHome Talk that read, “Baby carriage for sale, never used.”)

But that’s beside the point. The concept – six words and only six words – is not as easy as it sounds, and much more telling than you might think. Here is another one that came out of one of my writing workshops: Fat. Thin. Fat. Thin. Fat. Thin.

Your turn.

Jami Carpenter is an editor who works with independent writers as well as traditional and boutique publishers, including Stephens Press, Hardway Press, and Trapdoor Books. She is the co-author of Education in the Neon Shadow and hosted the Vegas PBS talk show, Book Club. Jami can be reached through her website: http://www.redpengirl.com/ and followed on her blog: http://redpengirl.wordpress.com/


Feeling Rejected?

January 23, 2013

You’ve written the great American novel and have sent it off to one publisher after another, getting rejection letters again and again. Well … you’re in good company.

From guest blogger Jami Carpenter (aka Redpengirl):

The following list of works (from ReadnSurf.com) just might make you feel better:

1. The Diary of a Young Girl by Anne Frank
Alfred A. Knopf Inc. turned down the English-language rights to a Dutch manuscript in 1950 after receiving a particularly harsh reader’s report. The work was “very dull,” the reader insisted, “a dreary record of typical family bickering, petty annoyances and adolescent emotions.” Sales would be small because the main characters were neither familiar to Americans nor especially appealing. Knopf wasn’t alone. The Diary of a Young Girl was rejected by 15 others before Doubleday published it in 1952. More than 30 million copies are currently in print, making it one of the best-selling books in history.

2. Jonathan Livingston Seagull by Richard Bach
When he sent out the story, Bach received 18 rejection letters. Nobody thought a story about a seagull that flew not for survival but for the joy of flying itself would have an audience. Macmillan Publishers finally picked up Jonathan Livingston Seagull in around 1972, and that year the book sold more than a million copies. The book contained fewer than 10,000 words, yet it broke all hardcover sales records since Gone with the Wind.

3. Chicken Soup for the Soul by Jack Canfield and Mark Victor Hansen
This book was turned down 33 consecutive times. Publishers claimed that “anthologies don’t sell” and the book was “too positive.” Total number of rejections? 140. Then, in 1993, the president of Health Communications, a small publication that was going bankrupt at the time, took a chance on the collection of poems, stories, and tidbits of encouragement. Today, the 65-title series has sold more than 80 million copies in 37 languages.

4. Notes to Myself by Hugh Prather
Hugh Prather sent novels, stories, articles, and poems to publishers but was repeatedly rejected. Finally, he sent in a collection of his thoughts, which was initially accepted by a small publishing house who didn’t even have a wide distribution reach. But slowly, through word-of-mouth publicity, it became a bestseller.

5. Zen and the Art of Motorcycle Maintenance by Robert Pirsig
This book was rejected by a record 121 publishers before being published. It has sold millions of copies in twenty-seven languages and still continues its winning march. The editor who finally published Pirsig’s book said, “It forced me to decide what I was in publishing for.”

6. Catch-22 by Joseph Heller
The first title of Catch-22 was Catch-18, but Simon and Schuster planned to publish it during the same season that Doubleday was bringing out Mila 18 by Leon Uris. When Doubleday complained, Joseph Heller chose ‘22,’ because Simon and Schuster was the twenty-secondnd publisher to read it. Catch-22 has sold more than 10 million copies.

7. The Fountainhead by Ayn Rand
The book was rejected by twelve publishers, before a young editor, Archibald Ogden, at the Bobbs-Merrill Company publishing house wired to the head office, “If this is not the book for you, then I am not the editor for you.” Despite generally negative reviews initially from the contemporary media, the book gained a following by word of mouth and gained a foothold.

8. Lolita by Vladimir Nabokov
Due to its subject matter, Vladimir Nabokov was unable to find an American publisher for Lolita.  First published in 1955, it was a runaway bestseller, the first book since Gone with the Wind to sell 100,000 copies in the first three weeks of publication. Today, it is considered as one of the finest novels written in the 20th century and in 1998, it was named the fourth greatest English language novel of the 20th century.

9. Books for Children by Dr. Seuss
Suess’ first book And to Think That I Saw It on Mulberry Street was rejected 27 times before being published by Vanguard Press. The sales of Dr. Seuss’ children’s books have soared to more than 100 million now.

10. The Alchemist by Paulo Coelho
This international bestseller was first published in 1988 and is the most famous work of author Paulo Coelho. It sold only 800 or so copies in its first release and was dropped by its first publisher as a result. It has now been translated into more than 60 languages, and has sold more than 75 million copies in more than 150 countries, and is one of the best-selling books in history.


Indents and White Lines

January 15, 2013

Q:

I’m reviewing the page proofs for my book and the designer has eliminated the indent for the first paragraph of each chapter. Is this right?

A:

It is indeed, Dear Author.

In fine typography and well-crafted books, the first paragraph of a chapter is not indented. Ditto for the first paragraph following any heading or sub-heading.

Why?

Each new paragraph signifies a change in thought, direction or organization of the text. At the start of a new chapter, the reader already knows it’s a new paragraph. As for headings, adding indentation prevents the heading from lining up properly with the text following it.

More indenting rules: An alternative method of setting off each paragraph is to put an extra line break between each graf (shorthand for paragraphs used by editors and designers). This is sometimes called a “white line”. Indents plus white lines are never to be used together — only one or the other. Generally, books get indents. Websites and blogs usually use white lines, in part because different browsers may interpret indent coding inconsistently. Business writing, letters, and reports may use either (but not both).


The Nevada Review Recognizes Stephens Press!

December 20, 2012

By Guest Blogger Jami Carpenter, aka Redpengirl

For an author, there is probably no greater compliment than having someone read your book – and then, without asking or paying for it – having it reviewed.

Even better, I believe, is a review that is thoughtful and honest, critical as well as complimentary.

Such is the case with the most recent issue of The Nevada Review, which features reviews of six Stephens Press books – one, in fact, that I was lucky enough to edit – and whose co-editors, Caleb S. Cage and Joe McCoy, acknowledge that the Stephens Press publishing house is “… a press that we believe should get more statewide attention.”

The reviews will be available in their entirety on each book’s website shortly, but here’s a sneak peek:

From The Nevada Review – Vol. 4 Fall 2012 No.2

Blue Vegas: Stories
“All in all, this award-winning book represents aspects of Las Vegas that are seldom covered in mainstream literature.”

Fade, Sag, Crumble: Ten Las Vegas Writers Confront Decay
“Each author clearly sees decay in her or his own way, through his or her own narrative, but there is plenty of overlap and tension to make the collection interesting as well.”

Helen J. Stewart: First Lady of Las Vegas
“… a carefully researched, meticulously documented, and imminently readable tribute to Helen J. Stewart …”

High Heels and Headdresses: Memoir of a Vintage Vegas Showgirl
“She gathers memories like she is herding cats—the little varmints keep runnin’ every which way. Don’t try to keep a chronology; your head will spin, but enjoy the ride.”

The Perpetual Engine of Hope: Short Stories Inspired by Iconic Las Vegas Photographs
“A unique aspect … is that they are a catalyst for creating more works set in Vegas, as well as for bringing forth more writers that we may have never read together otherwise.”

Vegas Rag Doll: A True Story of Terror and Survival as the Wife of a Mob Hitman
“It is an unsettling and terrifying story that leaves more questions than answers…
will leave you uneasy and watchful.”
Jami Carpenter is an editor who works with independent writers as well as traditional and boutique publishers, including Stephens Press, Hardway Press, and Trapdoor Books. She is the co-author of Education in the Neon Shadow and hosted the Vegas PBS talk show, Book Club. Jami can be reached through her website: http://www.redpengirl.com/ and followed on her blog: http://redpengirl.wordpress.com/


An Abundance of Authors!

December 3, 2012

by guest blogger Jami Carpenter, aka Redpengirl

What’s more wonderful than a bookstore during the holiday season? Why, a bookstore filled with authors meeting avid readers and busily signing their literary creations, of course!

And that, my friends, is exactly what will be taking place on Saturday, December 22nd, at the Barnes & Noble bookstore in Summerlin (that’s in Las Vegas, for you out-of-towners).

A veritable plethora of Stephens Press publications, authors, friends and family, and special guest photographer will be taking part in a daylong event celebrating books, one not often thought of in the entertainment capital of the world.

Kudos, too, to the Barnes & Noble establishment for supporting this event – and for supporting the local writing community.

So mark your calendars!

Jami Carpenter is an editor who works with independent writers as well as traditional and boutique publishers, including Stephens Press, Hardway Press, and Trapdoor Books. She is the co-author of Education in the Neon Shadow and hosted the Vegas PBS talk show, Book Club. Jami can be reached through her website: http://www.redpengirl.com/ and followed on her blog: http://redpengirl.wordpress.com/


Faking It … Names for Fictional Characters

November 15, 2012

For my writer friends: Do you know Roosa Hauta-aho who lives at Etelaesplanadi 46 07820 PORLOM in Finland? She drives a 2007 Fiat Ducato, she’s 27, and is 5′8″? Well, I don’t know her either. I just generated her using the FAKE NAME GENERATOR. Need a Chinese character living in Moscow who is 59 and male? Fake Name Generator can supply the fake details with impressive realism. Pretty slick!

Check it out here.


Books on Parade

November 5, 2012

by guest blogger Jami Carpenter, aka Redpengirl

For all the talk that traditional print books are on the way “out” and that reading in general is on the decline, you’d never know it from the activity at the recent Vegas Valley Book Festival.

The authors’ pavilion at the Historic Fifth Street School in downtown Las Vegas was abuzz with chatter as authors met with attendees, sharing stories and signing books.

It was thrilling to see such an impressive display; books of all shapes, sizes, and colors, in particular, those published by Stephens Press – and full disclosure here – I am a freelance editor for them and many of their books that I edited were on that table. Regardless, it was an awesome sight, especially considering that Stephens Press is not one of the big six – Hachette Book Group, Harper Collins, MacMillan, Penguin Group, Random House, Simon & Schuster.

It is clear to me that books – real books with pages to turn and covers to touch – aren’t going away any time soon … at least until we figure out how to sign a Kindle.

Jami Carpenter is an editor who works with independent writers as well as traditional and boutique publishers, including Stephens Press, Hardway Press, and Trapdoor Books. She is the co-author of Education in the Neon Shadow and hosted the Vegas PBS talk show, Book Club. Jami can be reached through her website: http://www.redpengirl.com/ and followed on her blog: http://redpengirl.wordpress.com/


Literary Las Vegas

November 2, 2012

by guest blogger Jami Carpenter, aka Redpengirl

Las Vegas typically conjures up images of showgirls and slot machines, neon lights and all-night parties, mega-bucks and mega-resorts.

What might surprise people is that the entertainment capital of the world is also dedicated to offering programs that promote reading and literacy, that support
and nurture the community of local writers, and that attract the attention and participation of national and international authors.

This weekend Las Vegas again celebrates the written, spoken, and illustrated word with the eleventh annual Vegas Valley Book Festival, an event that draws more than 10,000 attendees each year. Since its founding in 2002, the fall festival has presented over 600 authors and speakers and has produced or sponsored over 450 events, sessions, readings, workshops, and book signings.

The Festival provides an opportunity for readers and writers of all ages to get involved; with puppets, storytelling, activities for children, comic books (for the kid in all of us), young adult fiction – a genre of increasing popularity, and award-winning authors of both fiction and non-fiction.

It is especially exciting to see the Festival’s commitment to the contributions of home-grown writers, providing a platform for them to share their successes, and giving friends, family, and fans a chance to see their craft in action.

Don’t miss this opportunity to surround yourself in literati – Las Vegas style.

Jami Carpenter is an editor who works with independent writers as well as traditional and boutique publishers, including Stephens Press, Hardway Press, and Trapdoor Books. She is the co-author of Education in the Neon Shadow and hosted the Vegas PBS talk show, Book Club. Jami can be reached through her website: http://www.redpengirl.com/ and followed on her blog: http://redpengirl.wordpress.com/