Why Most Books Aren’t Stocked by Bookstores

May 20, 2011

Where do most book buyers purchase their books? Walmart, Costco, Sam’s Club and Target. They sell massive amounts, but don’t have much depth to their offerings, concentrating on the bestsellers. Not much opportunity for new authors or specialty titles. Online retailers are rapidly growing as a preferred source of both print and digital books, taking another big chunk out of the bookstore’s business. E-tailers offer a vast assortment but no personal selling. Many consumers today treat bookstores like showrooms — browsing to find the books they like — then ordering them online. Is it any wonder long-term sustainability of bookstores is in question? Nonetheless, bookstores are an important element in the sales matrix for books. Authors and publishers want their books on the shelves. Guest blogger Terry Cordingley shares his experienced take on the difficulties getting bookstore placement. ~ CHU

By Guest Blogger Terry Cordingley

When an author first publishes their book, they have visions of walking into a bookstore on their book’s release date…any bookstore…and immediately spotting their book on the shelf, right there at the front of the store. There may even be a stack of their books in a point-of-purchase display or in the window of one of the major book-selling chain stores. However, unless they are already a best-selling author, a celebrity or infamous (think Tiger Woods or Sarah Palin), this is highly unlikely.

But why? you might be thinking. My book is great! Everybody who reads it tells me how great it is! This may be true, but believe it or not, the decision to stock your book on the shelf has less to do with the merits of your book and more to do with mathematics.

In 2008, there were 560,626 new titles published in the U.S., more than double the number of books that were published just five years earlier. Most of this growth has occurred in self-published or short-run titles. However, despite the growth in the number of titles, bookstore sales are actually declining. Taking into account the number of titles available and the number of actual books sold, the average U.S. book is selling less than 250 copies a year.

When a new title is released, it isn’t just competing for shelf space at bookstores with 562,626 other titles, it is also competing with the millions of other titles that have been published in previous years. For every spot available on a bookstore shelf, there are hundreds, perhaps thousands, of other titles competing for that one spot.

Don’t just take my word of it. Most of this information was originally written by the president of another publishing company. As for the prime point-of-purchase displays at the front of a bookstore, publishers pay for that space, and that real estate isn’t cheap. The major chain stores don’t just put the books at the front of the store because they like them.

This information may seem a bit depressing for authors, but only for those that completely depend upon the major chain stores to sell their books. It isn’t the fault of the bookstores. With so much at stake, the bookstore buyers must stock books that they feel will have a good chance of selling and making money for the store. A book by a new, unknown author is a gamble, and a big one, for stores that must turn millions of dollars in profit each year just to make payroll and stay in business. That means stocking a lot of titles by famous celebrity authors, or titles that already have a good track record of sales.

Pretend for a moment that you own a video store. Which movie titles are you most likely to stock? Blockbusters like Twilight, or an independent film featuring unfamiliar actors? This is the same decision bookstores must make, and there are far more book titles released each year than movies.

This is the reason why niche marketing is so vitally important to authors and publishers. One fact I didn’t touch upon earlier is that most book sales don’t occur at bookstores. Most books are sold through other channels, such as retailers other than bookstores (supermarkets, pharmacies, gift shops, coffee shops), book clubs, online booksellers like Amazon, churches (many have their own bookstores now), home shopping TV channels, etc.

Of course, publishers do want their books to be stocked and sold through bookstores. Bookstores do, in fact, sell books. However, this shouldn’t be the only marketing channel used by publishers and authors. Focus on the book’s niche, figure out who the audience is for a particular title, and where that audience can readily be found, and you’ll have identified your prime market.

Terry Cordingley is the Associate Director of Marketing for Tate Publishing and Enterprises and has been with the company for more than five years. Terry currently holds every sales record in the Tate Publishing marketing department, and has personally sold more than $6 million worth of retail product. Follow his blog at http://terrycordingley.blogspot.com/.


Vegas Valley Book Festival

November 10, 2008
The "Rock Star" of Writers, Neil Gaiman (photo by Andrew Taylor)

The "Rock Star" of Writing, author Neil Gaiman (photo by Andrew Taylor)

The annual Vegas Valley Book Festival just concluded. Held for the first time at the Historic Fifth Street School, the new venue helped contribute to the “best yet” festival. What a whirlwind of activities devoted to the celebration of reading and writing! There was something for everyone from the Target Children’s Book Fest to a plethora of programming for aficionados of graphic novels and comic books. The craft of writing was furthered with workshops on everything from character development and point of view to authenticating crime stories. Over eighty individual authors had sales tables and poets performed in the courtyard. Stephens Press was well represented with our own sales area and several of our authors gave presentations in the auditorium. Las Vegas Review-Journal entertainment columnist Mike Weatherford interviewed celebrity columnist Norm Clarke, whose newest book, Vegas Confidential: Sinsational Celebrity Tales debuted at the festival, and Norm didn’t disappoint, shaing some “scoops” with the audience that hadn’t hit the media yet. Next up, author and editor Geoff Schumacher (Howard Hughes: Politics, Paranoia & Palace Intrigue) interviewed Laraine Russo Harper, author of Legal Tender: True Tales of a Brothel Madam. Laraine shared her experiences running a legal brothel with plenty of wit and funny stories. Damn the Rejections, Full Speed Ahead: The Bumpy Road to Getting Published author Maralys Wills took the stage along with yours truly. The audience asked many questions following the tips presented for improving manuscripts and seeking publication. The festival was “bookended” by a pair of star authors. The opening keynote, Neil Gaiman drew a capacity crowd of fans for his body of work (Mirrormask, Stardust, American Gods, and more). The Brit-born author gave a long and rambling talk about modern culture, authors who’ve influenced him and his writing, and read from The Graveyard, his newest title. Pulizer Prize winner (The Amazing Adventures of Kavalier & Clay, The Yiddish Policeman’s Union) Michael Chabon gave the closing keynote address. His essay-like talk covered a lot of territory from Legos to the uber-insulated life our children live today. Interestingly, both Gaiman and Chabon talked about the “crap” their children read — or that they read as children — and observed that while it may not have been literature, it added to their perceptions and body of knowledge. Or, as Neil put it, “great stuff can be grown in crap”. Key sponsors incude the Las Vegas Review-Journal, the City of Las Vegas, the Clark County Library, and Nevada Humanities. It takes a lot of people and a lot of support to pull off such a successful event. I’m heartened and encouraged to see this annual event really come into its own.