Writing: Getting Started

June 24, 2011

Every book starts with a single sentence. How do YOU get started? Do you agonize over the first words? Do you start somewhere in the middle? Worry about the first line last? My friend Fred Rayworth shares some thoughts on getting started. Fred and I have been buddies ever since we discovered we’d both lived in Turkey for a time and practice what little Turkish we remember on each other. ~CHU



TIME TO GET STARTED: NOW WHAT?

By Fred Rayworth

Whenever you start something, there always has to be a first step. A starting point. So far we’ve talked about already being there. You’ve already had something to show, to have criticized and torn up by fellow writers and strangers. Where do you start? How do you start?

The simple answer is, to just sit down, fire up the computer (or a pen/pencil and pad of paper) and get to it. Sounds simple, doesn’t it? However, not everyone can just burst forth with verbal diarrhea at the drop of a hat. For some, it takes a plan.

First off, there has to be the desire to write. Since you are here reading this, that is a given. Second, if you are reading this, you at least have the ability to read so you also have some inkling of how to put sentences together. However, that doesn’t mean you can put them together coherently. Most people with a desire to write have had some kind of training or education that moves them (or pushes them) in this direction.

I strongly suggest you take a few basic writing courses either on-line, at a local community college, or even through a senior center. Learn how to put basic sentences together in a coherent fashion. Just reading them doesn’t mean you can write them!

Let’s assume you have the basics down and you’re ready to start. We’re back to square one again. How do you go about it? What do you want to write about? I can only speak for myself, but I’ve found the best thing to do is just start! That’s it.

Many people start out writing by keeping a personal journal. A recent example was Mary Wilson from The Supremes. She was our guest speaker a few weeks ago at our Henderson Writer’s Group meeting and she started writing a journal early in her life. She still writes almost every day. She’s turned it into several books.

When I sit down to write a story, whether short or long, I know two things. I know where I want to start and where I want to end. Everything else in the middle is a total surprise.

That, my friends, is my method. It surely doesn’t work for everyone, but it works for me. Below are some other methods that may work for you but don’t for me. I’ll explain why.

Many people must plan out their work ahead of time. Outlining is a good example. This type author meticulously outlines their story, chapter by chapter. That way, they are sure to leave no plot holes or gaps. They can find flow problems and all the bugaboos that can cause a story to run flat or hit a brick wall. That may be your path to success. For me, that is the perfect way to kill my creativity, lose my mojo.

At one of our writer’s group meetings, we discussed this one successful female writer. She would write a sentence and agonize over it, rewrite it and perfect it before she went on to the next one. Screech! Stop the presses! In text speech I’d have to say OMG! That’s “Oh my God!” for the rest of us. Talk about sucking all the creativity right out of a story. I just can’t imagine writing a story that way. To this day, I can’t remember that author’s name, but it worked for her.

We have a member of our group that started a wonderful story and I really enjoyed reading and critiquing it. However, he became so hung up on the mechanics of writing, he not only stopped writing that story, he stopped writing altogether because he didn’t think he was good enough yet. I kept telling him to just let it flow and worry about the details later, but it took him a long time to finally come around. I am happy to report that he is finally writing again. Please don’t let that happen to you! He is a truly gifted writer and I see great things for him, just delayed for a while.

This is how MY process goes. I have an idea. I stew on it for a while. After a few days… weeks… months… it all comes together. That inspiration. The spark. The beginning and the ending. When that happens, I may be in the middle of several other projects. I may have nothing going. I may stop what I’m doing if this inspiration is that intriguing. Whatever the case, I just go for it. I guess you could say I follow my muse, whatever that may be.

If I were to sit down and map it all out, the whole process would come to a screeching halt. It would just not work for me.

However, I am NOT you! What do YOU need to do? Do you need to just sit down and start writing your story? Or, do you need to sit down and map everything out? There are good reasons to outline a story. If your story involves a lot of research, it would be a good idea to gather that information first. As for me, I try to write what I know and if my writing leads me to something I don’t know, I’ll stop and do the research at that point. If it doesn’t pan out, I’ll change the story a bit. It still will not affect the final outcome.

You can’t know everything. No matter what you write or what method you use, there will come a time when you will have to research something. That brings up a great point and will become the subject of my next article.

Follow Fred’s blog at FredRayworth.com.


Meet the Author: Betty Auchard

March 3, 2009

By Guest Blogger/Interviewer Sue Campbell
(www.SueCampbellGraphicDesign.com)

bettya1Today I’m interviewing author Betty Auchard. Betty’s first book, Dancing in My Nightgown, the Rhythms of Widowhood is her memoir of losing her husband of 49 years, getting through the grief, and learning to live again—in a whole new way. Far from being a morose downer, Betty’s stories are touching, inspiring, upbeat, and even funny. Betty had a lot to learn having married at 19, and never having lived as a single person before. Betty’s quirky, loving, and funny personality makes her one of my favorite authors to know and to work with. In this interview she shares her thoughts on the writing process:

1. Tell us a little bit about yourself and how you got started writing. Did you always have a secret desire to be an author?

My secret desires were to be invisible, to fly, and to play the piano. My unconcealed desires were to be a movie star and an artist. I became an artist, so I still have time to become a movie star. But all my life I loved writing letters and telling true stories because I saw, and still do see stories in everything. And I’ve always jotted things down that I didn’t want to forgetsort of like a grocery list for my life.

Becoming a widow at 68 when I had never been single before meant I had more to write about than ever. I wrote about everything that was happening to me because life felt like the twilight zone. It was unreal. I had no way of knowing then that writing was my tool dancing_150for healing.

Grief recovery was the hardest work I’d ever done in my life and grievers must be allowed to babble about the same old things over and over. It’s the only way we can accept that our loss is real. Writing was like talking to paper. If I felt good I wrote about it. If I felt bad I wrote about it. One day I saw that Postum (Denny’s favorite beverage) was on sale and I almost put a jar in my cart. I was so blindsided by that unconscious act that I had to abandon my grocery cart and run outside to cry. Naturally, I wrote about it. I knew that someday I would look back on my experiences and realize how far I had come.

Writing was more important to me than eating. Naturally I lost weight, but gradually, I regained consciousness and the act of writing took on a life of its own. I became aware that my journaling on junk was starting to use a lot more paper and my writings were becoming pretty good stories that I liked a lot. One thing led to another and I started taking writing classes. This all happened over about six months. By six months I was in love with telling about life from my point of view which sometimes made me cry, but it felt good; like vomiting from my eyes. Sometimes my quirky point of view made me laugh at myself. As hard as I tried not to come off as a widow I always revealed that I was one. It made me feel vulnerable. I may as well have worn a talking T shirt that shouted, “This Lady Lives Alone.” But, to be honest, I liked my stories so much that I practically forced strangers to read them. I knew then that Betty, the Writing Beast had been born.

2. Tell us about your writing habits. When you write do you need music? Or quiet? Is there a special place, time or ritual you use to get in the groove? And has this changed over time? For example from the time you wrote the first draft of the first book until now as you work on the second?

Eleven years ago when I wrote all day long in my nightgown, I didn’t know how to use the computer so I did a lot of writing in bed where the light from the window was perfect. If not there, then I wrote in my lounge chair where the good lamp was located. I wrote on a lined tablet on a clipboard, and used only a fine tip Pilot Precise pen. My thoughts landed on paper as easily as I talk.

Once I learned how to use the computer I relocated upstairs to what used to be my art studio and is now my computer room. I first TELL myself the story out loud a few times and then I start typing without stopping, typos and all. It’s still a lot like free writing but it’s on the screen and I feel as though I’m still talking.  I write best in the mornings when my brain is awake and lively. But I still write at night or any old time I’m in the mood or when I know I won’t be interrupted.  Sometimes that’s into the morning hours. I let other things go unattended, which is slothful but true.

My best writing time was two months ago when I treated myself to a hotel room. I checked into a Holiday Inn Express, 25 miles away so I wouldn’t be tempted to dash home for any reason. I told my children not to call or e-mail unless it was really important and a request for a recipe was not important. It was wonderful. I stayed one week, went home for one week, and returned for one more week. I ate sparingly and used the small fridge and microwave in my room for simple food.  I managed to get ahead on my second manuscript. The cost? About $2,000, but I told myself that I deserved it.

When I think a story is finished, it’s imperative that I read it aloud. Only then do I hear what is clunky or awkward. The sound of the words and the cadence of a sentence are critical. A radio is distracting and never on when I write, which means that it is never on. I watch TV only when I eat something or to watch Dexter or The United States of Tara. The truth is that I sit way too long at my computer because I’m in love with it. And where the day goes I’ll never know. Time just races by when I’m in the writing zone.

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